Moonlight Haze – De Rerum Natura Review

020913Expectations rarely have been as high for a debut record as for De Rerum Natura, Italy’s Moonlight Haze‘s first album after forming in 2018. The cause of that are the names of those involved with members and ex-members of high-class Italian metal bands such as TemperanceElvenking and Sound Storm. The most exciting inclusion among Moonlight Haze‘s ranks is probably Chiara Tricarico who left Temperance in 2017 and recorded a bunch of great melodic metal records with the band thanks to her voice suitable for international competition. Continue reading “Moonlight Haze – De Rerum Natura Review”

Majestica – Above The Sky Review

Majestica - Above the Sky - ArtworkTommy Johansson is a busy guy and all-around multi-talent; throughout the better part of this century the Swede has been hunting high and low in power metal combos of all fashions and on all fronts, as a vocalist, guitarist and keyboard magician. Up until 2016 only known to a smaller audience thanks to among specialists beloved, yet on a larger scale not extremely impactful bands ReinXeed and Golden Resurrection, he joined audience of all styles appealing Sabaton as guitar wizard in said year. At this point, his melodic metal child ReinXeed had been abandoned for about three years after a rather mediocre A New World. It seemed as though the band that previously released close to one album a year ran out of steam. All the more fitting that workaholic Johansson decided to refurbish his love for fast melodic metal and restarted ReinXeed‘s journey with a new name: Majestica was born. Continue reading “Majestica – Above The Sky Review”

Gloryhammer – Legends From Beyond The Galactic Terrorvortex Review

gloryhammer-legends-from-beyond-the-galactic-terrorvortexThanks for making me type out that album title at least once for this review, guys. GloryhammerAlestorm‘s Christopher Bowes’ brainchild, make no secret of the fact that nothing changed regarding the band’s style or music. Just like the previous two records and just like its title, Legends From Beyond The Galactic Terrorvortex is a crazy, over-the-top power metal nerd out extravaganza without concern for what is too much heroics. Of course the whole effort is even less than half-serious, but Gloryhammer established quite a reputation among power metal fans with their flawless execution of the more symphonic-laden, dramatic fantasy metal established in the late ’90s by European, especially Italian bands; as such Legends From Beyond The Galactic Terrorvortex at least fueled expectations as a serious contender for one of this year’s significant power metal albums. Continue reading “Gloryhammer – Legends From Beyond The Galactic Terrorvortex Review”

Grimgotts – Dragons Of The Ages Review

Grimgotts - Dragons of the Ages - Front coverLet’s get this out of the way right now: Yes, Grimgotts is a power metal band, yes, this album is as cheesy as the cover artwork makes you believe and yes, if you don’t like keyboards, you should avoid this record. Alright, now that the garage sound black metal elitists are gone, the European power metal enthusiasts can savour this English band’s second full-length record which they offer us to tickle our palate. That’s right, there’s not too many class power metal acts left to sweep the lands from the UK’s shores; Power Quest would be the one closest to Grimgotts melodic sound off the top of my head. But, to be honest, the lads named after Harry Potter lore sound much more Scandinavian anyway, I wouldn’t have been surprised if the band’s members happened to be the Twilight Force guys’ cousins. Continue reading “Grimgotts – Dragons Of The Ages Review”

Stormlord – Far Review

37222222222222222222222226847I remember listening to Mare Nostrum, Italian symphonic black metal band Stormlord‘s fourth album, in 2009 and being blown away by how one band could combine such extreme metal with such great melodies and atmospheres.Of course, this type of mixture is something Dimmu Borgir have been brewing up as early as 1994, but there’s just a kind of dramatic aspect that Italian bands are great at portraying, be it black metal, death metal or power metal. Precisely, Stormlord strike a balance between those genres with a focus on atmospheric black metal; not in a Summoning kind of way, but leaning heavy on keyboards and solemn melodies to facilitate the new album’s lyrical contents concerning, as always, ancient Roman myths, but also fictional topics like Conan. Continue reading “Stormlord – Far Review”

Spacelord – Indecipher Review

a1741241995_10Recent years have seen the resurgence of ’70s classic rock and metal styles across all sorts of heavy music genres, from mainstream appeal to stranger, more underground sounds, some in the form of Led Zeppelin, some more Blue Öyster Cult or Black Sabbath. Even I, someone whose interest in musical traditions finds its limit in ’80s hair metal, must admit that albeit far from groundbreaking, young bands like Greta Van Fleet have made the music many would call classics, bad or good, and about which most don’t care anymore, more accessible again. Interestingly enough, Buffalo foursome Spacelord avoid affiliation with any kind of trend; and instead of building an altar of worship to just one band, the four lads brew their own kind of mixture out of Led Zeppelin‘s energy and Alice In Chain‘s darker guitar sounds plus their own quirky influence befitting the outlandishly alien retro sci-fi art and concepts. Continue reading “Spacelord – Indecipher Review”

Paragon – Controlled Demolition Review

cover-final_FULL-SIZEaParagon is a tank. This band doesn’t care about its surroundings, what’s going on outside of their window, what other bands are doing or what the trends of the times are; they are simply plowing through the metal scene with their inexorable mixture of heavy, speed and thrash metal which they have been firing at their fans’ ears since 1995 without much change. Be it their debut record World Of Sin or 2019’s Controlled Demolition, you are in for a ride without breaks in this tank of mass destruction called Paragon. Continue reading “Paragon – Controlled Demolition Review”

Atlas Pain – Tales Of A Pathfinder Review

sdf1Oh, the glory days of pagan metal, remember when Ensiferum released Victory Songs? When Equilibrium let loose their epic masterpiece Sagas? When Turisas were at the height of their songwriting? What would you give to go back to those days? As it turns out, you don’t have to give a lot, all it takes is Atlas Pain‘s new album Tales Of A Pathfinder. Somehow, the freezing winds of the northern sea reached the north of Italy where four men are looking to revive the faltering genre mixture between folk, epic and viking metal with an album that sounds taken straight out of 2008. Conceptually, Atlas Pain do not concern themselves with bloody battle stories but rather tales of times and people in a steampunk cladding. Continue reading “Atlas Pain – Tales Of A Pathfinder Review”

Bloodbound – Rise Of The Dragon Empire Review

50710999_2527599240590116_3806848059560689664_nIf swordbearing was a term or scale to describe metal bands, Swedish power metallers Bloodbound would make first place in swordbeariness, even before the likes of ManowarRise Of The Dragon Empire, their 8th album already, is the third album in the band’s discography to deal with the happenings in Game Of Thrones, or A Song Of Ice And Fire for booklovers. And that’s a great source of inspiration since Stormborn, their 2014 record, was one of the strongest albums Bloodbound put out since their revival in 2011 with then new singer Patrik Johansson and the first to draw inspo from the famous book/TV series, spawning one of the band’s greatest hits, “Iron Throne”. Whereas Stormborn was a pretty brutal power metal record in the vein of earlier Sabaton records, War Of Dragons in 2017 and this year’s Rise Of The Dragon Empire decelerate a bit. Continue reading “Bloodbound – Rise Of The Dragon Empire Review”