Stormlord – Far Review

37222222222222222222222226847I remember listening to Mare Nostrum, Italian symphonic black metal band Stormlord‘s fourth album, in 2009 and being blown away by how one band could combine such extreme metal with such great melodies and atmospheres.Of course, this type of mixture is something Dimmu Borgir have been brewing up as early as 1994, but there’s just a kind of dramatic aspect that Italian bands are great at portraying, be it black metal, death metal or power metal. Precisely, Stormlord strike a balance between those genres with a focus on atmospheric black metal; not in a Summoning kind of way, but leaning heavy on keyboards and solemn melodies to facilitate the new album’s lyrical contents concerning, as always, ancient Roman myths, but also fictional topics like Conan. Continue reading “Stormlord – Far Review”

Ancient Bards – Origine: The Black Crystal Sword Saga Part 2 Review

ancientbards_origineSneakily, but steadily Ancient Bards have grown on me from just another Rhapsody “cover” band – from Italy even – to a serious contender to be the legitimate successors to the genre-establishing warriors who are a bare shadow of their former glory these days, at least the contemporary of Fire incarnation with only one birthing member left. I don’t mean to run down symphonic power metal masterpieces like AB‘s first record, The Alliance Of The Kings, but the borrowing of Rhapsody style was a bit too blatant to lift the album and its sequels beyond the cliche of “just another (albeit great) power metal record”. Continue reading “Ancient Bards – Origine: The Black Crystal Sword Saga Part 2 Review”