Tungsten – We Will Rise Review

Tungsten - We Will Rise - ArtworkYoung blood is often needed to rejuvenate a genre and introduce new ideas to it, and even though Tungsten has old blood running in its veins, they are here to modernize power metal as we know it. The band’s core, Nick and Karl Johansson, are musicians new to the scene, but there’s a catch: their father is Anders Johansson of Hammerfall fame who undoubtedly fed Nick and Karl templar steel through their baby food. Together with Anders, the brothers formed Tungsten to deliver their vision of modern power metal. Continue reading “Tungsten – We Will Rise Review”

Mob Rules – Beast Over Europe Review

749344In the part of classic power metal secluded from mainstream fame artists like Sabaton or PowerwolfSigns Of The Time Live is known as one of the most thrilling live experiences delivered on recording, but with 14 years gone by and five new albums between then and 2019, Mob Rules‘ testament for rousing live shows from 2005 got long in the tooth. Following their 2018 record Beast Reborn and the appertaining Beast Over Europe tour with Brainstorm the German band decided to update and upgrade their live album catalogue with a new 14-track offering recorded during mentioned tour including plenty of more recent tracks. But can Beast Over Europe relieve Signs Of The Time Live of its paragon duties? Continue reading “Mob Rules – Beast Over Europe Review”

Sonata Arctica – Talviyö Review

Sonata Arctica - Talviyö - ArtworkIn evaluating a record, there are various questions to be considered; how important is singularity to an album’s quality, how important is fulfilling expectations, or, on the opposite, going against expectations? Is self-development necessary, irrelevant, disappointing or welcome? Sonata Arctica have been exhausting the possible answers to these questions at least since their 2007 record Unia by coming out with complex, demanding and undoubtedly diverse albums, each of which split their fanbase in two distinct factions: those who love for the Fins to experiment, and those who miss the old days of straight-forward Stratovarius style melodic power metal. This year’s record Talviyö is not going to unite the two camps in celebration as it may be the most experimental – as in far from the power metal roots – album Sonata Arctica have released in their career. Continue reading “Sonata Arctica – Talviyö Review”

Moonlight Haze – De Rerum Natura Review

020913Expectations rarely have been as high for a debut record as for De Rerum Natura, Italy’s Moonlight Haze‘s first album after forming in 2018. The cause of that are the names of those involved with members and ex-members of high-class Italian metal bands such as TemperanceElvenking and Sound Storm. The most exciting inclusion among Moonlight Haze‘s ranks is probably Chiara Tricarico who left Temperance in 2017 and recorded a bunch of great melodic metal records with the band thanks to her voice suitable for international competition. Continue reading “Moonlight Haze – De Rerum Natura Review”

Majestica – Above The Sky Review

Majestica - Above the Sky - ArtworkTommy Johansson is a busy guy and all-around multi-talent; throughout the better part of this century the Swede has been hunting high and low in power metal combos of all fashions and on all fronts, as a vocalist, guitarist and keyboard magician. Up until 2016 only known to a smaller audience thanks to among specialists beloved, yet on a larger scale not extremely impactful bands ReinXeed and Golden Resurrection, he joined audience of all styles appealing Sabaton as guitar wizard in said year. At this point, his melodic metal child ReinXeed had been abandoned for about three years after a rather mediocre A New World. It seemed as though the band that previously released close to one album a year ran out of steam. All the more fitting that workaholic Johansson decided to refurbish his love for fast melodic metal and restarted ReinXeed‘s journey with a new name: Majestica was born. Continue reading “Majestica – Above The Sky Review”

Gloryhammer – Legends From Beyond The Galactic Terrorvortex Review

gloryhammer-legends-from-beyond-the-galactic-terrorvortexThanks for making me type out that album title at least once for this review, guys. GloryhammerAlestorm‘s Christopher Bowes’ brainchild, make no secret of the fact that nothing changed regarding the band’s style or music. Just like the previous two records and just like its title, Legends From Beyond The Galactic Terrorvortex is a crazy, over-the-top power metal nerd out extravaganza without concern for what is too much heroics. Of course the whole effort is even less than half-serious, but Gloryhammer established quite a reputation among power metal fans with their flawless execution of the more symphonic-laden, dramatic fantasy metal established in the late ’90s by European, especially Italian bands; as such Legends From Beyond The Galactic Terrorvortex at least fueled expectations as a serious contender for one of this year’s significant power metal albums. Continue reading “Gloryhammer – Legends From Beyond The Galactic Terrorvortex Review”

Grimgotts – Dragons Of The Ages Review

Grimgotts - Dragons of the Ages - Front coverLet’s get this out of the way right now: Yes, Grimgotts is a power metal band, yes, this album is as cheesy as the cover artwork makes you believe and yes, if you don’t like keyboards, you should avoid this record. Alright, now that the garage sound black metal elitists are gone, the European power metal enthusiasts can savour this English band’s second full-length record which they offer us to tickle our palate. That’s right, there’s not too many class power metal acts left to sweep the lands from the UK’s shores; Power Quest would be the one closest to Grimgotts melodic sound off the top of my head. But, to be honest, the lads named after Harry Potter lore sound much more Scandinavian anyway, I wouldn’t have been surprised if the band’s members happened to be the Twilight Force guys’ cousins. Continue reading “Grimgotts – Dragons Of The Ages Review”

Paragon – Controlled Demolition Review

cover-final_FULL-SIZEaParagon is a tank. This band doesn’t care about its surroundings, what’s going on outside of their window, what other bands are doing or what the trends of the times are; they are simply plowing through the metal scene with their inexorable mixture of heavy, speed and thrash metal which they have been firing at their fans’ ears since 1995 without much change. Be it their debut record World Of Sin or 2019’s Controlled Demolition, you are in for a ride without breaks in this tank of mass destruction called Paragon. Continue reading “Paragon – Controlled Demolition Review”

Bloodbound – Rise Of The Dragon Empire Review

50710999_2527599240590116_3806848059560689664_nIf swordbearing was a term or scale to describe metal bands, Swedish power metallers Bloodbound would make first place in swordbeariness, even before the likes of ManowarRise Of The Dragon Empire, their 8th album already, is the third album in the band’s discography to deal with the happenings in Game Of Thrones, or A Song Of Ice And Fire for booklovers. And that’s a great source of inspiration since Stormborn, their 2014 record, was one of the strongest albums Bloodbound put out since their revival in 2011 with then new singer Patrik Johansson and the first to draw inspo from the famous book/TV series, spawning one of the band’s greatest hits, “Iron Throne”. Whereas Stormborn was a pretty brutal power metal record in the vein of earlier Sabaton records, War Of Dragons in 2017 and this year’s Rise Of The Dragon Empire decelerate a bit. Continue reading “Bloodbound – Rise Of The Dragon Empire Review”

Iron Fire – Beyond The Void Review

Iron_Fire_CoverIt’s no secret I am a huge Iron Fire nerd and their most recent “album” Dawn Of Creation, actually an extensive best of type record with lots of new tracks thrown in, promised a bright future for the Danish dudes. Naturally I was eager to listen to their newest output Beyond The Void, especially to find out where 2019 will take the band. 2016’s Among The Dead saw Iron Fire take a drastic step away from their early days’ true power metal with classic albums such as Blade Of Triumph or Revenge and a step towards a more modern, thrashy sound that they already hinted at with what is maybe their best record, 2012’s Voyage Of The Damned, an epic mixture of influences modern and classic alike breaking the genre’s boundaries. Continue reading “Iron Fire – Beyond The Void Review”