Sinbreed – IV Review

la07-sinbreed-IV-artwork(1)With 2010’s When Worlds CollideSinbreed made a huge impact on European power metal as one of the progenitors of modern power metal sound we know these days characterized by a focus on prioritizing aggressive drum and guitar sound, along with often lower register power singers as displayed by bands who got famous even beyond the circle of power metal fans like Sabaton. In 2018, Sinbreed continue this path just like they did on their three previous albums, there’s just one major difference: one of the most unique voices of the genre has left the band; Herbie Langhans was replaced by Nick Holleman, probably known best for his job at Vicious Rumors – who his by far not a bad singer, but many will agree that Herbie is on a similar level of distinction as Sabaton‘s Joakim Brodén. How does Sinbreed‘s aggressive power metal fare with another singer? Continue reading “Sinbreed – IV Review”

Dire Peril – The Extraterrestrial Compendium Review

a2543568764_10As per usual with John Yelland releases I am late to the party. Dire Peril‘s first full record The Extraterrestrial Compendium was released a few weeks ago, so you could go check it out right now. Look, I don’t mean to demean Jason Ashcraft, Yelland’s partner for the two man project Dire Peril, but somehow John Yelland is the link between now two of this year’s great (US) power metal records. Earlier this year, Judicator, singer Yelland’s main band, if you want to call it that, impressed me greatly with their Blind Guardian inspired take on American power metal. Dire Peril‘s “debut” on the other hand was written by Helion Prime‘s Ashcraft, but stylistically T.E.C. is real close to Judicator. Continue reading “Dire Peril – The Extraterrestrial Compendium Review”

Guardians Of Time – Tearing Up The World Review

Welcome to metalpower.blog, where we only review colorful artworks. It’s a blessing and a curse. In a sense, Tearing Up The World‘s cover art is indicative of the record’s contents. That artwork screams power metal but contains a lot of brutality, which Guardians Of Time‘s music is not lacking. Indeed, Tearing Up The World is one of the fastest, most savage power metal records I’ve listened to in quite a while. Continue reading “Guardians Of Time – Tearing Up The World Review”

Masquerage – Hangman’s Revelations Review

37638094_10156249532690609_8934513105124196352_nI’m always looking forward to new releases from Stormspell Records’ roster, and Masquerage is just another gem in the rough featuring some hard-working people who somehow managed to stay underground all this time. The Finns have been around since around 2000, with four full-length records to their name already. I hadn’t known them before this album, but my bets were on them being a brand new, young band. Hangman’s Revelations just has this kind of fresh air to it. Of course, I recognized Masquerage‘s voice and big player – Kimmo Perämäki of early Celesty fame, who managed to stay relevant trough Finland’s scene and recently grouped up with Celesty again, but to no recorded avail at least yet. Continue reading “Masquerage – Hangman’s Revelations Review”

Seventh Wonder – Tiara Review

CoverYeah, any Tiara review’s opening will use the 8 years time span between Seventh Wonder‘s last record, The Great Escape, 2010, and Tiara. Is it more or less tacky to go meta? Anyway, eight years! That builds expectation. Especially as the Swedes have never disappointed with their albums, putting out prog metal opus one after another. Granted, after the epochal Mercy Falls from 2008, there is little left to be said. The band could have stopped right then and there with one of the greatest prog metal albums of all times in their catalogue. Fortunately for us, we are still getting new stuff, even though at a relatively slower rate than in the ’00s. Part of that is surely singer Tommy Karevik’s engagement in Kamelot, which seems to have left little time for his true home. Let’s shed no tears here though and get instead rejoice that we get another Seventh Wonder record after all with the band in peak form and Tommy exercising the whole range of his prowess. Continue reading “Seventh Wonder – Tiara Review”

Dragony – Masters Of The Multiverse Review

Dragony_MOTM_Cover_fin_weblThere are few genuine classic melodic power metal bands left in the business, with most ancient champions either retiring or “evolving” into something no one asked for. Austria’s Dragony have been supplying the old power metal crowd with finest European forged steel since their inception around 2011, when their first album Legends released independently, a time where I’d known them for a while already and had come to revel in the ’90s symphonic power goodness long before the band was signed by Limb Music in 2012, who released Legends again. Smart move, after all, Legends was the most explosive piece of the genre I’d heard in a long time. Continue reading “Dragony – Masters Of The Multiverse Review”

Dynazty – Firesign Review

38614493_10155362015946504_3741389648413327360_nIn 2016, Dynazty released the best power metal album of the year. Titanic Mass was a massive titan of hit rate, with every song being amazing in its own right. This caught me by surprise as I’d never even heard of the band before. What, me, the power metal mastermind? That’s because Dynazty went through some major changes in their rather short history. Their first release Bring The Thunder in 2009 was deep, deep in sleaze rock/metal revival territory à la Reckless Love or H.E.A.T. The same holds true for the two follow-up records in 2011 and 2012, only with 2014’s Renatus shifting towards the… right direction. Titanic Mass saw the band at the top of their power metal evolution with an extremely modern high-energy sound in the vein of Amaranthe or Borealis. Continue reading “Dynazty – Firesign Review”

Black Majesty – Children Of The Abyss Review

438248Black Majesty have been one of the premier faces, if not the face of Australian power metal since their debut Sands Of Time in 2003. Their first three, characteristically blue-covered albums released through then legendary power metal label Limb Music perfectly suited the spirit of the time: melodic guitar leads, rapid fire riffs and drums and overall high-energy fast-paced tracks put Black Majesty musically much closer to their European power metal siblings than the often much heavier Australian outlets like Dungeon. Continue reading “Black Majesty – Children Of The Abyss Review”

Beyond The Black – Heart Of The Hurricane Review

CoverEver since their debut, Beyond the Black made quite the impact on the symphonic scene, to the point in which they became one of the most attractive line-up additions to the bigger festivals. Having the energy-driven sound of Songs of Love and Death in their arsenal, that wasn’t surprising – the combination of metal with Celtic elements (albeit nothing new in the genre) mixed with Jennifer Haben’s crystal voice, put the record above the overall lacking in quality releases of 2015. Continue reading “Beyond The Black – Heart Of The Hurricane Review”

Mob Rules – Beast Reborn Review

305540Beast Reborn? German heavy metal outfit Mob Rules surely hasn’t been gone long enough to warrant a whole relaunch; as such the new album’s title is more of a reinforcement than a comeback promise. After all, the band’s previous album was released in 2016 and received phenomenally by both press and fans. Rightly so, as Mob Rules evolved and matured their sound greatly over their now 20+ years career. With their first few albums the Germans started out as a rather traditional power metal constellation in the vein of Helloween with melodious guitar leads and heavy keyboard influences. Continue reading “Mob Rules – Beast Reborn Review”