By releasing Sagas, Equilibrium set the bar all too high. Since then, the record stirred some waters in Nuclear Blast’s lenghtly catalogue and to this day hangs like the sword of Damocles over its creators – an unavoidable fact that made founder (and currently last original member) René Berthiaume take a sharp turn in his sixth opus. Continue reading “Equilibrium – Renegades Review”
Ever since their debut, Beyond the Black made quite the impact on the symphonic scene, to the point in which they became one of the most attractive line-up additions to the bigger festivals. Having the energy-driven sound of Songs of Love and Death in their arsenal, that wasn’t surprising – the combination of metal with Celtic elements (albeit nothing new in the genre) mixed with Jennifer Haben’s crystal voice, put the record above the overall lacking in quality releases of 2015. Continue reading “Beyond The Black – Heart Of The Hurricane Review”
About 25 years ago, Tales from the Thousand Lakes skyrocketed the career of one of the most iconic Finnish bands. Since then, Amorphis introduced us to their national epos and left a scourging mark on the heavy scene with their unique blend of metal and folklore. Continue reading “Amorphis – Queen Of Time Review”
Ever since its first steps about a decade ago, the so called modern metal was received with high hopes and expectations: means to help reduce the musical stagnation and attract those listeners, sick of tales of dragon slayers, warriors of the Antichrist and pathological amateurs. Sadly, one cliché was only inherited by another and a couple of years later, the young style was already soaking in commercialism and subdued by labels trying to cache in on its potential.
Temperance is one of the more interesting bands of the mentioned trend, despite their late and not-all-that-original debut. However, their fourth studio album leaves all genre stereotypes behind in favour of a straightforward and purposeful sound. Of Jupiter And Moons has an intriguing Sci-Fi concept, abundant memorable melodies and impressive duets. At the same time, the compositions are also diversified with quasi-progressive elements, increasing the replayability of the record.
The best thing here is the fact that Temperance finally managed to find their own niche instead of being a clone (albeit a good one) of Amaranthe. Without any significant changes compared to its predecessor The Earth Embraces Us All, the new Italian effort has a solid core of melodic sympho-power metal without any disco influences whatsoever, with an electronic side well under control. A big part of the songs’ character is due to the impressive new vocal duo Michele Guaitoli/Alessia Scolletti. While we are well acquainted with Michele’s work in other Italian bands like Overtures and Kaledon, until recently Alessia was shrouded in mystery. Even though her voice is not as dynamic and polished as ex-frontwoman Chiara Tricarico’s, she brings a highly emotional performance to the table, towards which one cannot stay indifferent for long.
“The Last Hope in a World of Hopes” sets the mood with balanced guitars, keys and powerful choruses – a successful combination that lasts until the very end of the album. Additional praise goes to the explosive energy of “Broken Promises”, the title hit track (better yet, a HIT – you won’t find many captivating songs of this caliber, especially in the metal scene) and the overly epic ballad “Empires and Men”. The Hammond organ and some gospel vocals introduced in “The Art of Believing” are both unexpected and pleasantly surprising, while the closure “Daruma’s Eyes” is one of the band’s bravest achievements to date with its enigmatic orchestrations, complex riffs and multilayered arrangements. Such magnificence makes it almost inevitable for one or two tracks to sound more forgettable, but this can hardly ruin the overall impression.
Of Jupiter and Moons may not be a perfect album but it sounds fresh and honest, which cannot be said for most modern releases of late. Temperance can surely be proud of their newest opus and with it, the genre’s future seems a bit brighter.