Iron Fire – Beyond The Void Review

Iron_Fire_CoverIt’s no secret I am a huge Iron Fire nerd and their most recent “album” Dawn Of Creation, actually an extensive best of type record with lots of new tracks thrown in, promised a bright future for the Danish dudes. Naturally I was eager to listen to their newest output Beyond The Void, especially to find out where 2019 will take the band. 2016’s Among The Dead saw Iron Fire take a drastic step away from their early days’ true power metal with classic albums such as Blade Of Triumph or Revenge and a step towards a more modern, thrashy sound that they already hinted at with what is maybe their best record, 2012’s Voyage Of The Damned, an epic mixture of influences modern and classic alike breaking the genre’s boundaries. Continue reading “Iron Fire – Beyond The Void Review”

Skeletoon – They Never Say Die Review

CoverNerd Power Metal? From Italy? Hell yeah, please. For anyone unsure what nerd power metal sounds like, the nerd part references the band’s lyrics, while the music takes care of the power portion. Some more stuck up stereotyped thinkers would simply pigeon-hole Skeletoon with the usual melodic power metal bands from the ’80s to the ’00s, but that’s half the fun, and as expected from the self-described genre name, fun is what Skeletoon‘s all about. The Italian band is Mr. Tomi Fooler’s brainchild who, as it seems, likes to fuse nerdy, or rather geeky, topics with the speediest European melodic power metal on the block. This particular spawn titled They Never Say Die concerns itself with classic ’80s movie The Goonies. Yeah, no Lord Of The Rings, no Wheel Of TimeSkeletoon prefers it lighthearted. Which obviously suits the classic uptempo power metal the Italians are celebrating with this record. Continue reading “Skeletoon – They Never Say Die Review”

Warrior Path – Warrior Path Review

WP Album CoverLiterally out of nowhere, Greek semi-supergroup Warrior Path pop up into the metal world with big names sure to draw the attention of classic heavy metal fans; Bob Katsionis of Firewind and Yannis Papadopoulos of Beast In Black united! The catch? Neither of them were involved in the composition of Warrior Path‘s self titled debut. One day, previously unknown newcomer Andreas Sinanoglou meets with Katsionis and performs the album he’s had in his head since forever start to finish. And it was impressive enough for Katsionis to produce it and even get Yannis on board. Continue reading “Warrior Path – Warrior Path Review”

Ancient Bards – Origine: The Black Crystal Sword Saga Part 2 Review

ancientbards_origineSneakily, but steadily Ancient Bards have grown on me from just another Rhapsody “cover” band – from Italy even – to a serious contender to be the legitimate successors to the genre-establishing warriors who are a bare shadow of their former glory these days, at least the contemporary of Fire incarnation with only one birthing member left. I don’t mean to run down symphonic power metal masterpieces like AB‘s first record, The Alliance Of The Kings, but the borrowing of Rhapsody style was a bit too blatant to lift the album and its sequels beyond the cliche of “just another (albeit great) power metal record”. Continue reading “Ancient Bards – Origine: The Black Crystal Sword Saga Part 2 Review”

Guardians Of Time – Tearing Up The World Review

Welcome to metalpower.blog, where we only review colorful artworks. It’s a blessing and a curse. In a sense, Tearing Up The World‘s cover art is indicative of the record’s contents. That artwork screams power metal but contains a lot of brutality, which Guardians Of Time‘s music is not lacking. Indeed, Tearing Up The World is one of the fastest, most savage power metal records I’ve listened to in quite a while. Continue reading “Guardians Of Time – Tearing Up The World Review”

Black Majesty – Children Of The Abyss Review

438248Black Majesty have been one of the premier faces, if not the face of Australian power metal since their debut Sands Of Time in 2003. Their first three, characteristically blue-covered albums released through then legendary power metal label Limb Music perfectly suited the spirit of the time: melodic guitar leads, rapid fire riffs and drums and overall high-energy fast-paced tracks put Black Majesty musically much closer to their European power metal siblings than the often much heavier Australian outlets like Dungeon. Continue reading “Black Majesty – Children Of The Abyss Review”

Beyond The Black – Heart Of The Hurricane Review

CoverEver since their debut, Beyond the Black made quite the impact on the symphonic scene, to the point in which they became one of the most attractive line-up additions to the bigger festivals. Having the energy-driven sound of Songs of Love and Death in their arsenal, that wasn’t surprising – the combination of metal with Celtic elements (albeit nothing new in the genre) mixed with Jennifer Haben’s crystal voice, put the record above the overall lacking in quality releases of 2015. Continue reading “Beyond The Black – Heart Of The Hurricane Review”

Mob Rules – Beast Reborn Review

305540Beast Reborn? German heavy metal outfit Mob Rules surely hasn’t been gone long enough to warrant a whole relaunch; as such the new album’s title is more of a reinforcement than a comeback promise. After all, the band’s previous album was released in 2016 and received phenomenally by both press and fans. Rightly so, as Mob Rules evolved and matured their sound greatly over their now 20+ years career. With their first few albums the Germans started out as a rather traditional power metal constellation in the vein of Helloween with melodious guitar leads and heavy keyboard influences. Continue reading “Mob Rules – Beast Reborn Review”

Powerwolf – The Sacrament Of Sin Review

907264Powerwolf return to bring sex to the church of power metal. So much sex! Was I too ignorant or too innocent to see this on their past albums? Sure, tracks like “Resurrection By Erection” from their 2009 masterpiece Bible Of The Beast were very much on the nose, but this time around the Germans conceal their innuendos in smart allegories which will bring the same dirty smirk to your face as the one probably found on this album’s “Stossgebet”‘s priest’s visage. Continue reading “Powerwolf – The Sacrament Of Sin Review”

Cryonic Temple – Deliverance Review

419434I was pretty hyped about Into The Glorious Battle in 2017, after all it was Cryonic Temple‘s first album after an absence of 9 years, and 12 years after their last good album. The Swedish power metal force has been around for a few years in the early ’00s, putting out three immaculate melodic power metal records back to back, ultimately failing in 2008 with a turn towards a modern sound and a change of vocalists. Into The Glorious Battle made this slip undone, featuring a whole lot of classic power metal tracks and the energy we were used to from classics such as 2005’s In Thy Power. In retrospect, the album surely could have been better in parts, and original vocalist Glen Metal’s voice still is sorely missed, but overall it was a way for Cryonic Temple of getting back on track. Continue reading “Cryonic Temple – Deliverance Review”